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Miley Cyrus a.k.a. Hannah Montana
The Associated Press

The public image of Disney pop sensation Miley Cyrus could change after the June issue of Vanity Fair hits newsstands.

Featured Topic | Posted 29 weeks 3 days ago

'Hannah Montana' topless in Vanity Fair: Art or exploitation?

If "Hannah Montana" wasn't a television show directed at kids on the Disney Channel, this could be the wacky premise for an upcoming episode: The tween pop sensation goes to a photo shoot, gets talked into taking some "artistic" pictures with a famous celebrity photographer, and the next thing she knows, the country is going n

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Ben likes: Miley gets Lohanned

James Poulos/The Postmodern Conservative

The innocence factor can't but plummet under conditions like these, because the beauty that makes Miley's picture possible and that makes this commentary possible is manufactured; yes, she herself has something to do with it, but hardly all and probably not most. So what we are worshipping turns out to be less Miss Cyrus' marvelous fresh fecundity and youthful radiance and more the erotic appeal of a giant confection. In an earlier era, this picture would in fact be a painting of a nameless young girl, and it would be a work of art. In this era, it's a brick in a long, high wall.

Pity. I've argued before that our problem isn't honoring the sexual power of young women, it's in aggravating that power for the purposes of dishonoring it. Miley's evocative portrait alone doesn't contribute to this problem. But the premise of the picture, and so much of what brought it into being, does. So people decry its classic pose and echo of nobility while smiling away at this getup. Tell me: which is cheaper?

It's going to take a long time to untangle the psychosexual web this culture's woven. Maybe forever.

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Joel likes: The "Hannah Montana" virginity debate

Thomas Rogers/Salon

It has never been easy to be a child star, but as an article in Thursday's Globe and Mail argues, today's teen actors are facing increasing scrutiny about their sex lives. It points to the media's fascination with the romantic lives of, among others, Emma Watson of "Harry Potter" and "Heroes" actress Hayden Panettiere as evidence of our growing obsession with teen stars' virginity. The article suggests that this development came in the wake of "Olsen Twins Countdown" (the Web site dedicated to counting down to the "Full House" stars' 18th birthday) and Jamie Lynn Spears' recent pregnancy. But it may have more to do with the fallout from her older sister's early branding strategy. As the recent (jaw-dropping) Rolling Stone profile of Britney points out, in the late '90s, manager Larry Rudolph turned her supposed virginity into a key part of her marketing plan -- as the "teenage Lolita of middle-aged men's dreams."

Spears was paraded around talk shows, discussing her virginity and, as the profile suggests, laying the groundwork for her eventual collapse. Jessica Simpson developed a similar look-but-don't-touch persona, and as they reached stratospheric popularity, Spears and Simpson managed to be both wholesome and sexualized -- a dichotomy that made it acceptable for prepubescent girls to show off their stomachs, and may have set a dangerous precedent for a new generation of teen stars whose entire life, including their sex life, has, without their consent, become a part of their public persona.

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ABC anchorman Charlie Gibson with Barack Obama and Hillary Clinton in Philadelphia
The Associated Press

ABC News anchorman Charles Gibson, center, is taking heat for the conduct of the Democratic debate in Philadelphia.

Featured Topic | Posted 31 weeks 1 day ago

Philadelphia fallout: Was ABC unfair to the Democrats?

The day after Hillary Clinton and Barack Obama met onstage in Philadelphia, the chatter is not so much about what the candidates said but how they were treated by debate moderators Charles Gibson and George Stephanopoulos. Critics say ABC's anchors were unfair to Clinton and Obama, focusing more on campaign gaffes than actual issues.

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Ben likes: Philly face-off

Stephen Spruiell/ National Review Online

The question of electability in the general election is the only one that matters anymore in the race for the Democratic nomination, and ABC’s moderators did a good job because they kept that in mind. Gibson and Stephanopolous asked questions about the candidates’ personal associations and the controversies surrounding some of their public positions (such as Obama’s decision to stop wearing a flag lapel pin). When the questions did focus on substantial matters, they concerned things like the right to bear arms, affirmative action, Iran’s pursuit of nuclear weapons, and the capital-gains tax.

Blogger Andrew Sullivan’s reaction was typical of many -- he called it “one of the worst media performances I can remember -- petty, shallow, process-obsessed, trivial where substantive, and utterly divorced from the actual issues that Americans want to talk about.” By those, he meant things like “the environment... interrogation [of terror suspects]... [and] healthcare.” But ABC’s debate was a success because it steered clear of issues like these, i.e. issues on which the candidates mostly agree. How many times have we heard Clinton and Obama argue endlessly over what amounts to a very minor difference in their health-care plans?  

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Joel likes: The unbearable lightness of George Stephanopoulos

Blake Hounshell/Foreign Policy

Has there ever been a debate moderator as puerile, as relentlessly focused on trivia, as dogged in his pursuit of the "gotcha" moment as George Stephanopoulos? I sincerely doubt it.

Aided and abetted by comoderator Charlie Gibson, the host of This Week chewed up nearly an hour of clock time probing, poking, and prodding the Democratic candidates on such nano-topics as "Bittergate," the tired Reverend Wright fracas, why they won't commit to a hypothetical joint ticket, and on and on -- long before the first substantive question, on Iraq. (Of course, it was asked by one Mandy Garber of Pittsburgh, not by either of the moderators.)

Not until 9:04 p.m. ET was there a question about the economy. Something is very wrong with the priorities of the U.S. television media.

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David Simon, creator of The Wire
The Associated Press

David Simon's bleak vision defined five seasons of "The Wire."

Featured Topic | Posted 36 weeks 4 days ago

How was the finale of "The Wire?"

In "The Wire's" Baltimore, nobody escapes the consequences of rebelling. It's only a matter of time before the gods get around to killing the peskiest flies. The HBO drama, which ended its run after five seasons Sunday night, was not a ratings winner but it was a critical favorite.

The fact that brave choices are usually punished within the world of "The Wire" fits with creator David Simon's worldview, which holds that individuals are capable of change, but institutions are not.

So, what does "The Wire" and its bleak point-of-view say about America? What was your favorite part of the show? And did the finale live up to your expectations?

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Ben likes: They’re not TV cops, they’re cops on The Wire

Jack Dunphy/National Review Online

In David Simon’s dramatic world, as in the real one, tidy resolutions to complex problems are not so easily achieved. As any cop knows, as does Simon, the bad guys are not always so bad.

And the good guys are not always so good, which is why The Wire’s cops are so compelling to watch. There have been isolated instances of police corruption depicted on the show, but for the most part the cops are honest, even as they struggle within a system that seems determined to see them fail. They cut corners here and there, they defy their preening superiors, and they get comfortable operating in that vast gray area that lies between outright corruption and by-the-book police work. In short, like all the show’s characters, they’re real.

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Joel likes: Like "The Wire?" You're living it

Marc Bousquet/Chronicle of Higher Education

What the show grasps is that private corporate and public institutional managers both employ “quality” in an Orwellian register in which a “quality process” is one of continuously increasing workload and continuously eroding salary and benefits, with a single, doltish mantra employed everywhere — in police departments, in social services, and school systems, just as on college campuses: the perpetual command to “Do More With Less.”

As Time magazine television critic James Poniewozik observes, what this actually means “is doing less with less and cutting corners to make it look like more.” Hence the need for assessment instruments that everyone inside an organization understands to be trivial and easily spun to nearly any purpose by agile institutional actors.

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Obesity
The Associated Press

Clearly, too much TV.

Featured Topic | Posted 37 weeks 2 days ago

Less TV time means slimmer, healthier children

More television equals fatter kids, according to a new study by researcher Leonard Epstein. "Television viewing is related to consumption of fast food and foods and beverages that are advertised on television. Viewing cartoons with embedded food commercials can increase choice of the advertised item in pre-schoolers, and television commercials may prompt eating," he wrote.

Is TV bad for you? And if so, how can we get kids to cut back?

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Ben likes: We all know that TV is bad for us... or do we?

Ronald Bailey/Reason

Critics ceaselessly point out television's alleged faults. The growing girth of the nation is blamed on it; increased violence; higher levels of teen sexual activity; and finally, we are assured, the idiot box is generally dumbing us all down. But we have plenty of reasons to doubt that bill of indictment on television. Children today are watching slightly less television per day than they were a decade ago, even as they continue to pork up. Violent crime rates have been falling in the United States for a decade; and rates often sexual activity and pregnancy have fallen dramatically since the mid-1990s. Average IQs have been soaring along with TV viewing for decades.

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Joel likes: Growing up too fat

Salon interview with Dr. Susan Okie

Q: One study you wrote about even suggested that having your kid stare at a wall -- if you could get the child to do that -- would actually be better for him than watching TV. Why is that?

A: In this study, they had kids doing various sedentary things, and the kids who watched TV burned fewer calories than they did doing any other sedentary activity. Maybe it has a sedating effect on your metabolism.

There are multiple ways in which TV may contribute to obesity. There's the fact that you're not burning calories. There's the fact that children and adults tend to eat unconsciously while they're watching TV, if they have food or drink in front of them. And there's the fact that there's a lot of advertising on TV so you're constantly getting cues to go get a snack or go get a soda.

And I even read one study that said when people eat lying down they tend to feel less full, and they tend to go on eating longer. A lot of kids snack lying down while they're watching TV.

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Featured Topic | Posted 46 weeks 2 days ago

The right to life, liberty and high-definition TV?

If you're anything like us, your only New Year's resolution for this particular ride around the sun is to sign up for a converter box coupon in preparation for the 2009 digital TV transition -- even if, also like us, your only remaining analog set is gathering dust next to your laserdisc player in the basement. Still, a bargain is a bargain, so $40 off a product or products that we don't really need was more than enough motivation to race over to the official sign-up page only minutes after it went live.

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Bad reception for HDTV subsidies

Ed Feulner/The Heritage Foundation

Anyone who wants to keep watching TV the old-fashioned way will need to buy a new set or plug in a converter box. And here's where Congress comes in. In 2005 lawmakers agreed to pay at least $990 million to subsidize the cost of converter boxes. They were even prepared to spend as much as $1.5 billion. That would be the same as every household kicking in $13 in taxes to help a handful of people buy converter boxes. This is absurd. Where's the compelling national interest to justify government subsidies for high-tech entertainment equipment?

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Let's get started on HDTV

Mark Lloyd/Center for American Progress

The biggest problem with the transition to digital television in the United States is that the Federal Communications Commission under the Bush administration has locked the public out of the process of determining what those benefits might be. What's more, yesteryear's Republican-controlled Congress set the rules regarding this transition. Thus the public interest obligations of digital broadcasters remain undefined and insufficient money has been set aside for the digital conversion.

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