Archive - Mar 30, 2008 - topic

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U.S. soldier guarding an Iraq jail
The Associated Press

An American soldier stands guard in an Iraqi jail.

Featured Topic | Posted 27 weeks 6 days ago

What should we do with American jihadists?

Six years into the war on terrorism, and the courts are still trying to sort out what to do with jihadists who possess U.S. citizenship. The U.S. Supreme Court last week heard the cases of Iraqi-American Mohammad Munaf and Jordanian-American Shawqi Ahmad Omar.

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Ben likes: Justice for Iraq

David Rivkin and Lee Casey/Wall Street Journal

The choice before the Supreme Court is clear. It should respect international law and recognize Iraq's sovereign right to try and punish criminal defendants within its own territory. The U.S. has chosen not to seek (as a diplomatic matter) special treatment for these individuals because of their American citizenship, a decision properly within the executive branch's discretion. Even if the Court concludes that it has jurisdiction to consider the habeas petitions, it should reject them and let Shawqi Ahmad Omar (a dual U.S./Iraqi national) and Mohammad Munaf (a dual U.S./Jordanian national) have their day in the Iraqi courts. 

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Joel likes: Jail of two cities

Dahlia Lithwick/Slate

The Bush administration's main argument in this case is a simple one—a variation of which you may remember from the golden days of lawlessness at Guantanamo: Sure, the military authority in Iraq might look like it's composed of U.S. soldiers, the prisons may appear to be U.S. military jails, the whole effort may seem to be led by the U.S. president, but really these "enemy combatants" are not under U.S. jurisdiction. Why? Well, just as American troops are merely renting out Gitmo from the Cubans, the authorities that captured and held Omar and Munaf are actually just part of a U.N.-mandated international force.

Never is the president's respect for foreign nations greater than when they're holding the legal bag for him. Under this theory, as long as a French chef serves up some crepes in Baghdad once in a while, it's a multinational, not a U.S., army. Oh. And the reason we must allow the Iraqi courts to have their way with U.S. citizens captured there? Because the president worries that if American courts intervene, "other nations would inevitably take offense."Wouldn't want to offend other nations.

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Baseball
The Associated Press

Time to throw out the pitch.

Featured Topic | Posted 28 weeks 7 hours ago

Play ball! Baseball season begins

The Major League Baseball season gets underway in earnest tonight with a game between the Washington Nationals and the Atlanta Braves in the Nationals' spiffy new ballpark. Baseball has endured another brutal offseason, though -- with the release of the Mitchell Report and allegations that the game's most dominant pitcher, Roger Clemens, used performance-enhancing drugs during his career.

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Ben likes: An 8-letter word for the ultimate sport

George Will/Washington Post

Bill Veeck, who did more for America in one night than most of us do in a lifetime (the night in September 1937 he planted the ivy along Wrigley Field's outfield walls), said that the great thing about baseball -- aside from the fact that you do not need to be 7 feet wide or 7 feet tall in order to play it -- is: Three strikes and you're out, and the best lawyer can't help you. Baseball, which provides satisfying finality and then does it again the next day, is a severe meritocracy that illustrates the axiom that there is very little difference between men but that difference makes a big difference.

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Joel likes: Steroids don't dampen fans' love of baseball

Seattle Times

The steroids-related bombshells keep coming, so many now that it's hard to muster shock, let alone outrage, over the latest Jose Canseco revelation kinda sorta implicating Alex Rodriguez.

But the fans keep coming, too. It's the anomaly of our times. Even as baseball remains embroiled in arguably its most damaging scandal, it prepares for another season of record-breaking attendance and revenue.

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The Associated Press

Director Kimberly Peirce and actor Ryan Phillippe might be talented, but audiences don't want to see their latest movie.

Featured Topic | Posted 28 weeks 16 hours ago

'Stop Loss' bombs: Why do Iraq war movies fail?

Kimberly Peirce’s “Stop-Loss” is the best fictional film yet inspired by the Iraq war … or at least it’s in a dead heat with “In the Valley of Elah” for that honor. Which doesn’t mean “Stop-Loss” will be any more successful at the box office than its predecessors. As of late Saturday night, "Stop-Loss" was performing poorly.

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Ben likes: Unbelievably melodramatic

Libertas

Undoubtedly, being stop-lossed has to suck something fierce, and I feel for the thousands pulled from their lives and loved ones for a contractual obligation they’re well aware of but probably never imagined would be brought to life. But they deserve better than this. Stop-Loss is Exhibit A -- no, D -- no, J in the case proving Hollywood can’t stand the troops. This insistent portrayal of these men and women as unstable and dangerous -- dehumanized and psychotic -- is outright stereotyping and the building of a stigma. It’s a monstrous act performed by these filmmakers and yet they remain undeterred even by box-office humiliation in their cruel objective to lose a war by tearing down our finest.

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Joel likes: Why are Iraq war movies box-office flops?

Sudhir Muralidhar/The American Prospect

Are audiences suffering from war fatigue, as many have suggested? Do they have little interest in following a war on the big screen when they are surrounded by images and stories of it on the small screens in their home?

Moviegoers will not leave their homes unless they're being offered something in the theater they cannot find elsewhere, and what is notable about many of this year's political films is that very few of them actually stand up as triumphs of cinematic art and storytelling. In many respects, the greatest risk of making political art during wartime is that heightened political passion will trump artistic judgment, which in the case of moviemaking means that expressing a political stance will take precedence over character development and plot structure. 

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